
      <p><strong>Stories of the materials used in making art are often as thought-provoking and illuminating as the objects themselves. From The Metropolitan Museum of Art, Immaterial examines the materials of art and what they can reveal about history and humanity. Each episode looks at a single material: paper, clay, jade, shells, and others, exploring the qualities and meanings that are often overlooked.</strong></p>
    

&lt;p&gt;&lt;strong&gt;An archaeologist and an artist walk into a dump… &lt;/strong&gt;&lt;/p&gt; &lt;p&gt;For most of us, we throw our garbage to the curb, and it disappears from our lives. But to some, that’s just the beginning of trash’s story. In this episode, we follow two people who seek the truth in trash—an archaeologist who excavates ancient rubbish in Turkmenistan and an artist who spotlights the people responsible for making trash vanish.&lt;/p&gt; &lt;p&gt;Guests:&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Martina Rugiadi&lt;/strong&gt;, associate curator, Department of Islamic Art, The Met&lt;/p&gt; &lt;p&gt;&lt;strong&gt;sTo Len&lt;/strong&gt;, artist&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Andy Blancero&lt;/strong&gt;, development officer, Freshkills Park Alliance&lt;/p&gt; &lt;p&gt;Featured artworks:&lt;/p&gt; &lt;p&gt;Chakaia Booker, &lt;strong&gt;&lt;em&gt;Raw Attraction&lt;/em&gt;&lt;/strong&gt;, 2001: &lt;a href=&quot;https://www.metmuseum.org/art/collection/search/492175&quot;&gt;https://www.metmuseum.org/art/collection/search/492175&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Bowl with Green, Yellow, and Brown Splashed Decoration&lt;/strong&gt;. Excavated in Iran, Nishapur, 10th century: &lt;a href=&quot;https://www.metmuseum.org/art/collection/search/449348&quot;&gt;https://www.metmuseum.org/art/collection/search/449348&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Stone Oil Lamp&lt;/strong&gt;. Excavated in Iran, Nishapur, 9th century: &lt;a href=&quot;https://www.metmuseum.org/art/collection/search/449328&quot;&gt;https://www.metmuseum.org/art/collection/search/449328&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Painted Dado Panels&lt;/strong&gt;. Excavated in Iran, Nishapur, 9th century: &lt;a href=&quot;https://www.metmuseum.org/art/collection/search/449862&quot;&gt;https://www.metmuseum.org/art/collection/search/449862&lt;/a&gt;&lt;/p&gt; &lt;p&gt;James Hampton, &lt;strong&gt;&lt;em&gt;The Throne of the Third Heaven of the Nations’ Millennium General Assembly&lt;/em&gt;&lt;/strong&gt;, ca. 1950-1964: &lt;a href=&quot;https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897&quot;&gt;https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Fragment of a Wall Painting with a Fox or a Dog (and Painted Layers)&lt;/strong&gt;. Excavated in Iran, Nishapur, 12th century: &lt;a href=&quot;https://www.metmuseum.org/art/collection/search/708593&quot;&gt;https://www.metmuseum.org/art/collection/search/708593&lt;/a&gt;&lt;/p&gt; &lt;p&gt;For a transcript of the episode and more information, visit &lt;a href=&quot;http://metmuseum.org/immaterialtrash&quot;&gt;metmuseum.org/immaterialtrash&lt;/a&gt;&lt;/p&gt; &lt;p&gt;#MetImmaterial&lt;/p&gt; &lt;p&gt;Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.&lt;/p&gt; &lt;p&gt;Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.&lt;/p&gt; &lt;p&gt;Sound design by Ariana Martinez and Kristin Mueller.&lt;br&gt;Original music by Austin Fisher.&lt;br&gt;Fact-checking by Mary Mathis and Claire Hyman.&lt;/p&gt; &lt;p&gt;Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.&lt;/p&gt; &lt;p&gt;Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, Brinda Kumar, Navina Haider.&lt;/p&gt;&lt;p&gt;See &lt;a href=&quot;https://omnystudio.com/listener&quot;&gt;omnystudio.com/listener&lt;/a&gt; for privacy information.&lt;/p&gt;

Immaterial: 5,000 Years of Art, One Material at a Time

The Data